iofilm - film inside out


  IOFILM HOME
FEATURES
FESTIVALS & EVENTS
FILM REVIEWS
REVIEWS ARCHIVE
FILM SHOPS
COMPETITION
NEWSLETTER
 
SYNDICATION
ADVERTISE


Here's The Pitch: The Ties That Bind

Vancouver International Film Festival Television Trade Forum
29th September 2002

Here's The Pitch
Introduction
1: Spinning The Wheel.
2: 100% Woman
3. Ties That Bind.
4. Deal Of The Month.
5. The Mouse That Roars.
Summary

The third pitch, The Ties That Bind presented by producer John Ritchie, was a heart-rending story of 28-year-old Chris Jordan, who suffers multiple disabilities including cerebral palsy.

Jordan has been cared for by his parents all his life but wants to live a "normal" life on his own. The parents, both carers now in their sixties, have recently undergone surgery for life-threatening illnesses.

The mother, fearing for her son’s future, has established a formal support network (CLAM) locally to help people like her son. The story, shot over a year and a half already, was about Jordan’s move away from home.

It came in for some withering criticism, which Ritchie, although taken aback, took with impressive good humour.

"Worthy but dull," pronounced McCarthy. He suggested that it might work as a shorter film or with an additional unique angle.

Nick Jones added that Channel 4 and the BBC have a regulatory remit to deal with disability issues so there are often outlets for these kind of real life programmes.

Richard Klein liked the title, but agreed with McCarthy that it needed more. He wanted to know where the story was. Klein said this reflected a common flaw which he saw again and again - an unclear story. "Where the hell is the film. Where are we heading with this? What’s the jeopardy point?"

He suggested that - after viewing a taster tape - "if it worked, we’d use it, but I don’t know if we would preinvest". Klein suggested if it just needed a further 15,000 dollars for completion then they might consider that. "If the money’s there already and it’s 99% ready. Then, of course, I’m interested."

In response to the onslaught, Ritchie stressed that his subject was an engaging, amusing person and that the doc had been accepted in Canada for broadcast and was near completion. What was the end point? Rictchie said it was his subject moving out of home. Klein jumped in, "That’s where the documentary really starts for me." Ouch!

"Anger is good" in project 4

More VIFF coverage




INSIDE IOFILM

Film festivals and events

Making It - Features on filmmaking






[an error occurred while processing this directive]