SOME films are best not talked about. There is nothing worse than going into a movie and finding that an over-elaborate trailer, or over zealous reviewer has given away the plot. In the case of "The Interview" avoiding the write-ups and previews will add to your enjoyment of the film. Suffice it to say that this kafkaesque, psychological thriller will appeal to those who like a good mystery, and one with plenty of twists to it. Low budget, terrifically shot, most of the action takes place in a claustrophobic, police interview room. The location is somewhere in Melbourne, a city distinguished by its heavy Gothic architecture. There are two aggressive police interviewers (one a steamhead, the other cold as ice), a shaken suspect, and a tape recorder. Such a spartan set-up would not have worked without some excellent performances and spot on dialogue. Hugo Weaving is immensely sympathetic as the nerve-rattled suspect, while Tony Martin as the lizard-eyed lead cop also puts in a strong performance. Although the ending is a little abrupt - one might say that it leaves too much in the air - when this is at its best it has your mind squirming in controlled confusion.