A Tree Without Roots is a slow paced parable exposing the establishment of religious sectarianism and fundamentalism. It presents a series of events that might as easily be seen, read or heard about in rural farming communities of Texas or Alberta.

Set in a rural village in Bangladesh the film begins with the restoration of a supposed holy man's grave as Muslim shrine by a newcomer, a Mullah named Majid. It follows him as he slowly inserts himself into the community, teaching the Koran and Muslim doctrine, allying himself with the village headman, and taking a wife from the local population.

The one 'flashback' scene shot in black and white might be an attempt to depict a religious vision, or to provide a quick biographical backdrop to Majid's motivations. It introduces an element of ambiguity in the motivations of a stern and scheming mullah. As Majid gains authority in the community, we see him struggle to maintain his control by opposing any religious or institutional rival.

At times this very linear film seems to lag in its movement towards a final resolution, in which all efforts of power and control are undone by an 'Act of God.' But its scenes would not condense into quick visual bites for easy digestion. Instead it offers a patient and subtle portrayal of religious hypocrisy set against a beautiful geographic and cultural backdrop.