iofilm - film inside out
Google
  Web iofilm

 

film in scotland
 




More on Scottish Film

A history of Scottish film

Top 20 Scottish films of all time

Top Scottish Films Never

Edinburgh Film Festival

Scottish Film Industry Power 20

Top 10
Top 20

Distribution problems for Scots filmmakers

Buy one of Brian's books


Film Shops - videos and DVD



register your domain name

     

 

From Brigadoon to Trainspotting: Part Two by Brian Pendreigh

Tartan cinema

  Braveheart
 
Braveheart has been criticised for historical inaccuracies, but stormed the box office

For Hollywood and other visiting film-makers Scotland has normally been synonymous with the Highlands, the huge expanse of mountains that take up the northern half of the country.

These days the vast majority live in Glasgow, Edinburgh and the other towns of Central Scotland, or in Aberdeen, Dundee and the towns on the East Coast, but visiting film-makers have shown little interest in those areas, their people or the present day.

They have wanted Highlanders in kilts, mountains, romance and adventure. They wanted the myth, not the reality, their own version of Brigadoon.

Down the years a succession of foreigners donned the tartan, including Errol Flynn in The Master of Ballantrae (1953) and Michael Caine in Kidnapped (1971), two of the many films based on the novels of the great Scottish story-teller Robert Louis Stevenson.

Orson Welles appeared not only in his own version of Macbeth (1948), but decked out in tartan in Trouble in the Glen (1954), a "comedy" regarded by many as the nadir of "Scottish film" - and here I use the term "Scottish film" for films set in Scotland, even though they may have been shot on the back-lot at Burbank.

The idea of the kilted Highlander became so powerful that producers were able to make an entire series of films bearing the name Highlander (1986-), initially at least tapping into the old Scottish image of tartan, bagpipes, beauitful scenery and that reliable old Scottish totem, Sean Connery; and then mixing in a plot about a race of immortals that was ridiculous, but wonderfully enjoyable - some Scottish critics took it all rather too seriously.

William Wallace came from the South of Scotland, but Mel Gibson thought nothing of dressing him in tartan and shooting in the Highlands (and in Ireland) in Braveheart.

Scottish history, the Scottish Highlands and foreign stars dominate "Scottish films" from the silent era onwards. Hollywood dominated the movie industry, but in Britain its films were supplemented by those from studios in the south of England, so Scotland was doubly dominated by two great powers with whom it shared a common language. This was the era of the studio system - films were shot primarily in studios, where directors had much more control over conditions.

Although set largely in Scotland, Alfred Hitchcock's The 39 Steps (1935) shot mainly in Lime Grove Studios in London, where the sheep ate the carefully-arranged heather. And Sandy Mackendrick's bosses allowed him to make the arduous and historic trip to the island of Barra to shoot Whisky Galore! (1949) only because Ealing Studios were full. Few feature films were made in Scotland and the only way a Scot could make a career for him or herself in movies was to take the train down to London or the boat across the Atlantic.

Early Scottish actors

Eric Campbell, the big bearded villain of Chaplin shorts, and Jimmy Finlayson, the cross-eyed character in the Laurel and Hardy films, were Scots. Although Stan Laurel was born in Lancashire he grew up and made his stage debut in Glasgow. Donald Crisp was born in Aberfeldy in Scotland. In Hollywood he played General Grant in The Birth of a Nation (1915) and won an Oscar as a Welshman in John Ford's How Green Was My Valley (1941).

The biggest stars seemed to play down their Scottishness, for the simple reason that to be seen as Scottish relegated an actor to character roles. Even in British films, stars rarely spoke with regional accents. Jack Buchanan was the epitome of English elegance, though he was born in Helensburgh, near Glasgow. He was a song and dance man on Broadway before playing Bulldog Drummond, a forerunner of James Bond.

Deborah Kerr also came from Helensburgh and trained as a ballet dancer. She worked with Powell and Pressburger before going to Hollywood, dancing with Yul Brynner in The King and I (1956) and rolling in the surf with Burt Lancaster in From Here to Eternity (1953).

Like Buchanan, David Niven was the epitome of a debonair English gent and many were surprised to learn he came from Kirriemuir, near Dundee. Only after his death did his birth certificate reveal he had been born in London. His claim of Scottish birth had been his biggest joke - the epitome of the English gentleman was indeed English.

The name's Connery, Sean Connery >>

<< Scotland's early years


INSIDE IOFILM

Films out now

Making It - Features on filmmaking

iofilm forum: tell us about the last film or DVD you saw





buy & sell at QXL

Find an iofilm review