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Brian Pendreigh's Scottish Film Industry Power Twenty 2001


If there was an award for outstanding contribution to Scottish film by a foreigner it might be a close run thing between Hollywood superstar Mel Gibson and a slightly rumpled Englishman with a quiet voice, deferential manner and a big pair of glasses.

Gibson took the story of William Wallace and turned it into the Oscar-winning Braveheart, whereas Ken Loach’s stories are anything but epic.

Gibson made a film about a national hero, Loach about a recovering alcoholic and his life on a Glasgow housing scheme. But My Name is Joe also picked up a slew of awards, made a star of Peter Mullan and boosted the career of Gary Lewis.

The electrician’s son from Nuneaton now envisages My Name as Joe as the first part in a "Scottish trilogy" and he could be back as early as this summer for the second instalment, working with the same Scottish producer and writer.

Loach and Paul Laverty, the former Glasgow lawyer who scripted Joe and Carla’s Song, are keeping tight-lipped about the new film, though Loach says it will contain drama and humour. Producer Rebecca O’Brien says: "It’s about some teenagers and the nonsense teenagers get up to."

Loach produced a British cinema classic when he made a Yorkshire teenager his central character in Kes more than 30 years ago and the new film is bound to revive memories of Bill Forsyth’s Gregory’s Girl as well.

"The new one is not a sequel to My Name is Joe," says O’Brien, "but part of what Ken would describe as his Scottish trilogy... It’s different characters." They have not worked out a storyline for the final instalment yet.

Loach, O’Brien and their partners at Parallax Pictures in London have been regular visitors to Scotland in recent years, making five films here in three years at the end of the Nineties.

Loach has enthused about working in Scotland. A traditional socialist, he said: "Everybody hates Tony Blair in Scotland, so that cheers us up enormously... I find the people and their outlook very sympathetic, very congenial and, by and large, they still treat each other like human beings."

O’Brien is also working on a film adaptation of Robin Jenkins’s novel Fergus Lamont and her Parallax partner Sally Hibbin is developing a psychological drama called A Child of Air with the Edinburgh producer Eddie Dick.

My Name is Joe helped spark a film boom a few years ago. There has been a slight hiatus in recent months, but there is no shortage of exciting projects on the horizon.

Bob Last, the Edinburgh producer who helped bring The House of Mirth to Glasgow, is working on plans for a film of Lewis Grassic Gibbon’s Sunset Song. And O’Brien is not the only expat Scottish producer developing projects to shoot in the old country - Sir Sean Connery’s LA-based production company is involved in a new film about Mary Queen of Scots, while Douglas Rae, who scored a surprise hit with Mrs Brown, is developing a big-budget film about Bonnie Prince Charlie and has Jude Law lined up as the Young Pretender.

But who else has the clout to get films made in Scotland on an on-going basis? The following individuals and organisations are not necessarily based in Scotland, but they have made films here and declared an intention to go on doing so. Figures in brackets represent the position in a similar list, compiled by the author, in The Herald a year ago. The inaugural list appeared in the industry magazine FreezeFrame in 1999.

This article first appeared in Scotland's Business AM newspaper in May 2001.

Brian Pendreigh is the author of The Legend of the Planet of the Apes, which will be published by Boxtree in the UK in September.

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