Pierce Brosnan may not enjoy the publicity process, but the 49-year old Irish superstar was looking characteristically relaxed in the midst of this yearís chaotic Toronto Film Festival.
Brosnan is only too aware why the press is keen to talk to the actor about
a little Irish film of which he is both star and producer. Bond, James
Bond. The actor knows that without one, the other would not exist.
"I don't think they would have made it, not if I hadnít had Bond under my belt as Ďbankabilityí," asserts Brosnan. After all, Evelyn, directed by Australiaís Bruce Beresford, casts the actor as an impoverished single father in 1950s Dublin forced to take care of his three children following his wifeís sudden desertion. When they are removed to Church-run institutions, he has to fight against an archaic Irish law.
The role is as different from the self-assured Bond as you can get. This is a character that is defined as being ordinary, and there is nothing ordinary about Brosnan on screen. The actor agrees that when it would come to casting a role such as this dishevelled Irishman, Brosnan would be the least likely candidate. "I donít think anyone would have cast me: 'too this', 'Too that', 'too pretty', 'too good-looking', 'too suave.'" At least he remains self-deprecating about the baggage that may otherwise preclude him from playing ordinary characters.
Shooting Bond back to back with Evelyn
It was also an adjustment for Brosnan to shoot the latest Bond film, Die
Another Day, immediately after having wrapped Evelyn in Ireland.
"Everyone had such a wonderful experience on this film. We came together
pretty fast and it was after September 11 so I think every man and woman
who worked on that film, the actors who came in from America, were very,
very pleased to be there. Everyone found sanctuary in working in Ireland
away from the horrors of the world and the threat of what was happening
to us this time last year. So to finish that December 22, Christmas and
then straight into Bond was a bit of an assault to get my head around,"
The actor may not exactly love talking Bond but he sees it as a necessary
evil. Not because he doesnít care about the franchise that turned the
actor into a major star, but because he is "Just sick of talking about
it, but then you have to do it. Itís the same old questions time and time
again, itís mind numbing," he says laughingly. But he concedes that "You
just try to go in there and give it your best shot, so you have to sit
down and do it."
Hot stuff with Halle
Brosnan adds that this time around, the story "is less convoluted and
has far more of a linear plot to it." It also has some sexy moments with
co-star Halle Berry, so sexy in fact, that rumour has it that one major
scene could be cut or toned down. Brosnan hopes not.
"Iíve been out of the loop for six weeks, so Iím just catching up on this,
I mean, the scene is pretty tame, in many respects, compared to something
like Monsterís Ball. I mean itís just Halle and I rolling around on top
of each other. This is the way itís shot and the suggestion of it."
He does believe that this Bond will harder edge to it than its predecessors,
because New Zealand director Lee Tamahori "is a pretty on-the-nose director
as you know and we went for it in the confines of what you can do in a
Times have changed since James Bond appeared on screen in the early sixties. The Cold War that was symbolic of Bond for two decades has been replaced by a harsher dose of reality with the advent of terrorism, and September 11 still fresh in our minds. Given those events, you might wonder how Bond fits into the world of post 9/11. The actor is dismissive.
"After September 11, I wondered what the producers were going to do and the effect they would take on this film. I didnít really have in-depth conversations with them about it, but Bond is such a fantasy, itís entertainment and the blood is not real in a Bond movie, although the body count is popping up all over the place. Itís not so graphic that you are repulsed by it so, I doubt that there was much discussion really."
Pierce Brendan Brosnan was born in Navan, County Meath, Ireland on May 16, 1953. He moved with his family to London in 1964 "where one of the first films I saw was Goldfinger," he recalls. His adolescence was tough, recalling his early experiences being educated by the harsh Christian Brothers.
"I had a very strong Catholic upbringing," Brosnan recalls. "I was in mass, in the choir, and taught by Christian Brothers and nuns." He quietly recalls the brutality of the Brothers. "Youíd be standing up saying the Our Father, and trying to remember it, youíd be beaten, punched, kicked, and slapped, just trying to get it right."
He admits that experience shaped his experience and life in that "It knocks
your confidence. That I should be an actor always amazes me, getting up
in front of so many people. There was a great shattering of confidence
at that age and then as a boy of ten heading off to the great glorious
comprehensive schools of London in the early Sixties makes you a fighter,"
says Brosnan. "You have to survive, you have to nail yourself in kind
of certain protective veils so to speak." Brosnan did survive, and remains
a defiant fighter, he says.
The road to fame
After leaving school, Brosnan became a commercial artist but was introduced to acting by a co-worker who was in a theatre group in the evenings. He left his job for the life of an actor, and entered the Drama Centre in London, where he studied acting for 3 years. Brosnan recalls being "bowled over" by landmark Hollywood films such as Bonnie and Clyde and a bit later, Clint Eastwoodís seminal Dirty Harry.
After several years of stage work throughout the UK, he began to work in television and film. His "big break" came with the 1981 TV mini-series The Manions of America, which led to him getting the title role in the popular long-running detective series Remington Steele, which debuted in 1982.
He moved with his wife and children to Los Angeles, California, where
the series was filmed. Running for more than 4 seasons and 92 episodes,
it catapulted Pierce to major stardom in the U.S. Rumours began as early
as 1984 that Pierce would replace Roger Moore as the next James Bond.
Due to contractual obligations, he was unable to accept the role when
it was originally offered to him in 1986. Brosnan remained busy as an
actor despite that setback, making TV mini-series, theatrical films and
made-for-cable movies, as well as several TV commercials.
On June 8, 1994, Pierce Brosnan was unveiled at a huge press conference in London as the 5th 007. His first Bond film, GoldenEye, grossed over $350 million worldwide, more than any other Bond film to that point. His 2nd Bond film, 1997's Die Another Day, grossed more money in the US than GoldenEye. His 3rd Bond film, 1999's The World is Not Enough, had the largest opening weekend in James Bond and MGM studio history. It is no surprise, then, that Brosnan was able to set up his company Irish Dreamtime, in the offices of MGM, developing projects that allow him to remain truly challenged as an actor.
Singing in Evelyn
Brosnan says that he responded to Evelyn, partly as a parent himself, but mainly "as an actor and as somebody looking for a good story and then just truly on that basis, just reading and turning the pages." It is only recently, Brosnan says, that he started to go back and rediscover his Irish roots, which forms the basis of his work not only on Evelyn, but his desire to have tried and persuaded the Bond producers to shoot in his former homeland.
"It never started out being important, it has become important, because Iím Irish and that is my country and where I come from," Brosnan explains. "It is also the essence of who I am as a man and as an actor, that is my true essence and having been brought up in an English school system and class system, I have adopted some of their ways, then an American lifestyle. It is always good to go back and especially to go back as an actor and as an artist so to speak, in order to reinforce oneís identify."
Brosnan also sings in Evelyn, a side of him which audiences have never
seen or heard before. Taking to it naturally, he admits to having been
"incredibly frightened of doing it, especially since Iíve never had any
formal training as a singer," but now the actor even hopes to record an
album of Irish folk songs. He says he even bought a ukele while recently
holidaying in Hawaii.
Time for 007 to hang up his gun?
When Brosnanís not working, it is his family that is most important to him, his wife and two recent sons, 5-year old Dylan Thomas and 19-month old Paris Beckett to journalist wife Keely Shaye Smith. Given Brosnanís propensity to work throughout the far corners of the globe, "my family travels everywhere with me. My kids are at a very portable age right now."
Next up for Brosnan is another strong departure from the exploits of 007. His company is developing a film based on the Walter Scott poem Lochinvar, which he happily admits is "a big old nut to crack" but wonít take the easy road by going the predictable and safe route of Hollywoodís mainstream "except when it comes to 007" he says with a glint in his eye.
As to Brosnanís future as 007, the actor may not like talking Bond but he hasnít given up the idea of hanging up his 007 tux right now either, adding "the producers have told me the role is mine as long as I like. I think I could do at least one more but I also know there comes a time to bow out gracefully."